{"version":"1.0","provider_name":"Artlab","provider_url":"https:\/\/artlabpro.net\/en\/","author_name":"Mateo Cianfoni","author_url":"https:\/\/artlabpro.net\/en\/blog\/author\/mateo-cianfoni\/","title":"Flores Babusci: The Intimate Piano and Unbound Strokes","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"sEhzh1ZORg\"><a href=\"https:\/\/artlabpro.net\/en\/blog\/flores-babusci-the-intimate-piano-and-unbound-strokes\/\">Flores Babusci: The Intimate Piano and Unbound Strokes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artlabpro.net\/en\/blog\/flores-babusci-the-intimate-piano-and-unbound-strokes\/embed\/#?secret=sEhzh1ZORg\" width=\"600\" height=\"338\" title=\"&#8220;Flores Babusci: The Intimate Piano and Unbound Strokes&#8221; &#8212; Artlab\" data-secret=\"sEhzh1ZORg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artlabpro.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artlabpro.net\/wp-content\/uploads\/2026\/07\/flores-scaled.jpg","thumbnail_width":2048,"thumbnail_height":1152,"description":"Babusci\u2019s arrival to Artlab\u2019s concert series finds an ideal setting in the room, designed precisely to enhance acoustic subtleties and attentive listening for this kind of proposal. On this occasion, the presentation will revolve around her latest album, Burma, a work that takes instrumental intimacy to another scale, making the subtlest details take on body and volume."}